Bruce McLean Be Attention Be Poster 1982

Bruce McLean Be Attention Be Poster 1982

£120.00

Department for Art (DFA) are pleased to announce the release of a series of facsimiles of original Bruce McLean posters, covering some important exhibitions and events. 

Each poster is A1 in size, printed using Archival Pigment Ink onto Premium 260gsm Satin Photo Paper, signed by the Artist and stamped with the DFA seal of authentication.

Bruce McLean, Be Attention Be
Agency for cultural affairs Berlin – 1982
Archival Pigment Ink Print 
594 x 841mm 
Printed onto Premium 260gsm Satin Photo Paper 
Signed and stamped

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The poster of an event records the event, and is sometimes more of the event than the event itself.
– Bruce McLean

 
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Shipping

All artwork will be carefully packaged within a postal tube. Dimensions 686mm x 76.2mm x 2.5mm. For insurance purposes and for the comfort of your work, only one print will be shipped per package.

The Artist

Bruce McLean is one of the most important and influential artists of his generation. Born in Glasgow in 1944, he studied at Glasgow School of Art and then at St Martins School of Art, London.

Bruce is a sculptor who has extended and developed the nature of sculpture through painting, architectural projects, film, ceramics and live action works.

Bruce McLean has exhibited in many important exhibitions worldwide including When Attitudes become Form, Berne, New Spirit in Painting, RA London, Zeitgeist Berlin, and Documentas 6,7 and 8 and in the International Pavilion Venice Biennale. His work is in private and public collections all over the world, including Tate Gallery, Museum moderner Kunst, Vienna, The National Museum of Art, Osaka, The V&A London and Dundee, The Arnolfini Gallery, The National Gallery of Modern Art, Edinburgh, Arts Council and British Council collections.

Currently Bruce is creating some incredibly beautiful prints, working on large paintings, making a very important film about excess and finishing an authoritative book on sculpture in the latter part of the 20th Century entitled Minimal, Invisible, Missing.